Joel Lefever’s interest in American architecture and decorative arts was sparked by a childhood collection of old Antiques magazines, and honed through degrees from Hope College, Holland, Michigan, and the Cooperstown Graduate Program in History Museum Studies in New York. After 20 years at the Holland Historical Trust, Holland, Michigan, he established Lefèbvre Museum Consulting, with clients in Michigan, Minnesota, and Pennsylvania. In 2012, he took up the reins at Old York, where he oversees all of the museum’s day-to-day operations, manages building restoration projects, and is responsible for developing a robust series of permanent and temporary exhibitions and interpretive programs. He lives with his wife and son in an historic 18th-century house in York.
Janet Blyberg began her museum career at the National Gallery of Art, Washington, where over the course of her fifteen-year tenure she worked on a number of major exhibitions and publications. After moving to Maine in 2012, she served as assistant curator at the Peabody Essex Museum in Salem, Massachusetts. She also volunteered her time to raise funds, and manage a project to conserve Old York’s historic Bulman bed hangings. After becoming mother to a son in 2016, she joined Old York as Membership and Marketing Coordinator. She holds degrees from Dickinson College in Carlisle, Pennsylvania, and from The George Washington University in DC, and has a passion for photography, needlework, textiles, and old houses.
Marlane Bottino earned a master’s degree in history at the University of Connecticut and began her museum career at Old Sturbridge Village where she was the Lead Teacher for textile arts. She also worked in the research library at Sturbridge and completed her internship in archival management there. Later she worked at Strawbery Banke Museum in Portsmouth as the coordinator of school and youth programs, before moving onto classroom teaching. She was a Montessori elementary teacher for 20 years. Now retired from teaching, she has returned to her early interests in history and archival management at Old York. Marlane also enjoys painting, gardening and writing children’s stories. She lives in Kittery with her family.
Ken McAuliffe is responsible for the management, recruitment, and training of a team of seasonal guides who run daily tours and engage visitors with Old York’s colonial heritage. A retired school district superintendent, with degrees in History, and School Administration and Instructional Design, Ken traces his love of history to his teaching days in the early 1970s. He also served on several community boards supporting the preservation of local history. Ken and his wife Marion moved to Maine from upstate New York in 2012 to be closer to their children and grand children who live along the New England coast. They are avid travelers and in the off season can be found anywhere from Scandinavia to Israel.
Janice Plourde brings a wealth of knowledge to her position as Programs and Hospitality Coordinator, from her experience in the restaurant and hospitality industry—ranging from grand hotels to tiny trattorias—to her work on non-profit boards including Rain for the Sahel and Sahara, and the York Public Library. She also worked at the Ogunquit Museum of American Art, where she coordinated fundraising events, opening receptions, volunteer events, board retreats, and concerts, among other things. She is passionate about good hospitality and food! As an avid experimental cook, who attended culinary school for the fun of it, she has worked as a personal chef, and still does occasional catering.
In 2008 Jon Powers worked as a general contractor, specializing in old houses, when his wife spotted an opening for a position at Old York. Unbeknownst to him, she applied for the position on his behalf—and well, the rest is history. Today Jon oversees the restoration of all of Old York’s historic buildings, and coordinates the maintenance of Old York’s extensive grounds, from its properties in the Village to its working waterfront wharf. When not juggling all of his responsibilities at Old York, he field trains and trials his beloved retrievers, and explores New England in his RV with his wife.
Kathleen Shea became enamored of history in high school when she gave tours at the Mark Twain House in Hartford, Connecticut. She came to the New Hampshire Seacoast to teach French at Berwick Academy. She volunteered in the archaeology lab at Strawbery Banke in her spare time, which led to an opportunity in the education department there, as coordinator of public programs and events. She went on to work at Maine Historical Society as director of education and programs, before serving as the director of the New Hampshire Farm Museum for twelve years. She resides in Kittery with her husband, restoring a 1730 house (which is definitely haunted).
Marsha Sibley is responsible for recording, reporting, and maintaining the museum’s financial records. With more than 40 years experience, she has worked for CPAs, corporations, and retail stores, in both for-profit and non-profit businesses. She has a degree in music theory, and when not counting the cash, paying the bills, and keeping the books, she enjoys playing the piano and the flute. She is also an avid gardener and lives in a 1797 cape, which she restored with her husband.
Peggy Wishart is charged with caring for and tracking Old York’s extensive collection of objects, both on display and in storage. Peggy came to Old York from Historic New England, with a background in archaeology, house museum management, programming, and collections care. First introduced to the New Hampshire and Southern Maine seacoast as a college intern at Strawbery Banke Museum, Peggy was so enamored of the area, that she has it her home ever since. She currently resides in Eliot.
Mary Harding has curated contemporary art exhibitions in Old York’s George Marshall Store since 1996. A graduate of Brown University, she has always been passionate about art. After college, she was an exhibit designer for Strawberry Banke Museum in Portsmouth, New Hampshire, and for the Margaret Woodbury Strong Museum in Rochester, New York. She was the director of Historic Landsmarks (one of the organizations that merged to form Old York) and served as director of the Barn Gallery of Ogunquit, Maine, for four years. Her quieter winter months are filled with studio visits, cross country skiing, and knitting.